The Word Kafka Used Was Not 'Insect'
Translating Kafka · No. 04

The Word Kafka Used Was Not 'Insect'

Photo: Marta Branco / Pexels

The German Ungeziefer has no English equivalent — and every translation of Die Verwandlung must therefore make a decision Kafka deliberately withheld.

By the Kafka Garden editorsTranslating Kafka2 min read

The Word and What It Carries

When Gregor Samsa wakes to find himself transformed, Kafka reaches for Ungeziefer — a word whose roots lie in Old High German and that once designated an animal unfit for sacrifice, something unclean, not quite placeable within the order of living things. It is emphatically not the word for insect. It names a category of exclusion rather than a biological class.

This matters because the word's vagueness is structural, not accidental. Kafka famously told his publisher Kurt Wolff that the creature must not be depicted on the book's cover; the illustrator should not draw it at all. The instruction was protective — not of the story's atmosphere, but of its meaning. Once Gregor is pinned to a species, something essential escapes.

English has no equivalent vagueness to offer. A translator must reach for something: insect, vermin, bug, creature, pest. Each word imports a precision Kafka refused. Vermin is the closest in register — it shares Ungeziefer's connotation of social undesirability, of something tolerated until it isn't — but it gestures toward an animal category without fully specifying one. Bug is too casual; insect is too clinical; creature abandons the charge of disgust that the German carries.

The problem compounds in the story's title: Die Verwandlung is transformation or metamorphosis, a word with mythological weight, while Ungeziefer is mundane, stubborn, unliterary. The tension between those registers — the grand word for change, the humiliatingly vague word for what is changed into — is part of what the story is doing. No English pairing quite reproduces it.

What this means practically is that every English reader of the story receives a translated decision rather than Kafka's refusal to decide. That is not a failure of translation — it is an honest account of what translation costs. The story's central unknowability is, in German, built into the grammar. In English, it has to be argued for around whatever word the translator chose.

End of article · Translating Kafka